Ads & short films
Short ads, talking heads, product videos, short documentaries, corporate videos, music videos. Formats 16:9 · 9:16 · 1:1 · 4:5, from 15 seconds to long-form.
Video & Content
Ten separate videos usually look like ten different vendors. Ten videos from one world look like a brand that knows what it wants. We set the world first — who appears, where, with what props, in what colours and voice — and every piece of content grows out of that.
Four desks in this division
Short ads, talking heads, product videos, short documentaries, corporate videos, music videos. Formats 16:9 · 9:16 · 1:1 · 4:5, from 15 seconds to long-form.
Twenty pieces a month that look like family. Your faces, locations, props, colours, and voice get locked, then reused across months — month nine's content is still family with month one's. Run as a monthly retainer, not a one-off project.
We don't guess. We count first, then guess politely: your account's numbers get read first, the brief comes from those findings, and this month's results correct next month's plan. Account audits, topic research, editorial calendars, monthly reports.
The video looks great — shame the language isn't theirs. SRT/VTT subtitles, burned-in subtitles, multilingual voice-over, script adaptation, down to the text that appears inside the image. This is our oldest field.
Talking heads, product, testimonials, locations, characters, voice recordings — different needs, the same hands.
How a video project runs
The first draft is usually a matter of days after the script is approved, not weeks. What actually causes delays is rarely production — it's decision ping-pong, which is why there are two approval gates (script and storyboard) before production starts.
That's precisely what we sell. Your brand world — faces, locations, props, colours, voice — gets locked once at the start, then reused across videos and across months.
You do. The brand world we build for you is yours, and so are all the final files.
Indonesian and English are the main lanes at the Studio. For other pairs, we just walk to the next desk: Translexi, our parent, whose whole business has been exactly that since 2009.
16:9, 9:16, 1:1, and 4:5 — from 15 seconds to long-form. One piece can be born in several formats at once, because making variants is precisely the work we hand to the machine.
Document translation and game, app, and website localization are our parent's desks — handled by the same people who've spent years guarding language for brands that can't afford to say the wrong thing.